As much as I love my home theater setup, I love going to the movies.
“New York, New York”
Some songs in the American songbook are sacred icons. Iām talking about signature songs that are so identified with one singer or band that anyone who tries to cover it does so at their own peril. Theyāre songs that other artists generally don’t touch outside of a tribute concert.
āAt Lastā belongs to Etta James. āPurple Rainā belongs to Prince. Even though itās Dolly Partonās song, āI Will Always Love Youā kinda belongs to Whitney Houston.
If someone is going to have the balls to record something that is so iconic and sacred with any success, there has to be a fresh spin on it. The interpretation has to approach the song from a different, unexpected angle. Devoās wonderful take on ā(I Canāt Get No) Satisfactionā by The Rolling Stones comes to mind.
Another one of those sacred songs to me is āNew York, New York.ā People generally consider it to be Frank Sinatraās song, though itās really co-owned with Liza Minnelli, who originally recorded it for Martin Scorceseās film of the same name. (Technically, the title of the song is āTheme from āNew York, New Yorkā.ā) Both versions are untouchable.
Several months ago, when I was watching Appleās original TV series The Morning Show, I heard a version of āNew York, New Yorkā that caught me completely off-guard. As well all know, Frank and Lizaās versions are celebratory, triumphant rally cries of pride, strength and aspiration. This new one seamlessly accompanied a very tough, dark, solitary moment in the showās storyline. Slowed down and stripped of any percussion, this lonely a cappella version was reflective⦠melancholy⦠sweet, if a little mournful. It was that rare unexpected interpretation of a sacred, iconic song that actually worked for me.
For days, I tried to find the song with no success. It wasnāt listed in the music credits on the show, and Shazam couldnāt identify it. There were rumors online that it was Billie Eilish singing (it isnāt). But I finally found it.
Turns out this vulnerable cover of the beloved āTheme from āNew York, New Yorkāā was recorded by Daisy Dash. In light of whatās happening now, the tone of this version of our great cityās theme song fits our current New York moment rather well. It sounds the way New York feels right now. Here it is:
You can also listen on Spotify or Apple Music.
Comments (1)
Comments are closed.
The Daisy Dash NY,NY is haunting and cool. And still full of a kind of life. very cool.